Degree Requirements
| Code | Title | Hours |
|---|---|---|
| Overall GPA of 3.0 or higher required. | ||
| Conducting | 14 | |
| Performance: Conducting (four semesters at two credit hours each, total 8 credit hours) | ||
| Conducting Topics (two semesters at three credit hours each, total of 6 credit hours) | ||
| MUSC 771 | Music Research and Bibliography | 3 |
| Survey Course | 3 | |
Select from the following in the primary performance area: | ||
| Survey of Orchestral Music | ||
| Survey of Wind Music | ||
| Survey of Vocal Music | ||
| Techniques Course | 2 | |
Select from the following in the primary area: | ||
| Choral Techniques | ||
| Instrumental Techniques | ||
| Music Theory | 3 | |
| Select one of the following: | ||
| Theory Topics | ||
| Pedagogy of Theory | ||
| Analytical Techniques | ||
| Compositional Techniques in Contemporary Music | ||
| Complete one Music Theory or Music History course from the following: | 2-3 | |
| Music Theory | ||
| Upper Division Composition | ||
| Counterpoint, 16th Century | ||
| Counterpoint, 18th Century | ||
| Analysis of Eighteenth and Nineteenth Century Music | ||
| Compositional Techniques in Contemporary Music | ||
| Electronic Music Production | ||
| Techniques for Electronic Music Performance | ||
| Jazz and Commercial Music Harmony | ||
If not taken above: | ||
| Theory Topics | ||
| Pedagogy of Theory | ||
| Analytical Techniques | ||
| Compositional Techniques in Contemporary Music | ||
| Music History | ||
| Topics in Popular Music | ||
| Topics in the Study of Western Art Music | ||
| Topics in the History of Jazz | ||
| Topics in Music of Sub-Saharan Africa | ||
| Topics in Musics of the Americas | ||
| Topics in Musics of East Asia | ||
| Topics in Musics of South Asia | ||
| Topics in Gender and Sexuality in Music | ||
| Topics in Race and Ethnicity in Music | ||
| Topics in Musics of the Arab World | ||
| Music of Africa | ||
| Special Topics | ||
| Perspectives of Musicology and Ethnomusicology | ||
| Keyboard Literature * | ||
| Special Topics | ||
| Independent Study | ||
| Research | ||
| MUSC 689 | Master's Recital (6 credits will be divided between several semesters based on ensemble conducting assignments) | 6 |
| Ensemble (2 semesters) ** | 2 | |
| Comprehensive Oral Examination *** | ||
| Total Hours | 35-36 | |
- *
MUSC 731 Keyboard Literature is open to Keyboard Majors only.
- **
All candidates for the master of music degree are required to participate for credit for two semesters (or summer sessions) in a performing group which meets at least two clock-hours per week and which is selected with the advisor’s approval.
- ***
A general comprehensive oral examination must be passed by all candidates for the master of music degree.
Degree Progress
The School of Music requires the following milestones for all students in the MM Conducting program. According to the graduate catalog, students will receive a yearly evaluation of their academic progress. Students who are either not making adequate degree progress or who are failing to uphold professional standards may receive notice of probation, suspension, or dismissal. Students may be notified of academic consequences outside of routine evaluation processes if an issue must be addressed immediately.
Each year, no later than the first day of classes of the Fall semester, the School of Music will post an updated version of the School of Music Graduate Manual.
Benchmarks
- Year One: Schedule and complete 1st hearing and recital
- Year Two: Form MM Committee and successfully complete Oral Examination
Satisfactory Progress
- Expectations for all Graduate Students may be found on the School of Music Degree Progress tab in the Graduate Catalog.
- Additional details may be found in the School of Music Graduate Manual.
Major Learning Outcomes
Conducting M.M.
Upon completion of the program, students will :
-
Effectively lead a musical ensemble using non-verbal gestural communication in both rehearsal and performance settings
-
Program concerts for instrumental and vocal ensembles demonstrating a knowledge of varied repertoire applicable to the areas of specialization and in a variety of performance settings
-
Synthesize and apply knowledge from areas such as music theory and musicology to study scores and develop a personal artistic interpretation of works for rehearsal and performance
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Rehearse instrumental and vocal ensembles through the use of effective pedagogical and rehearsal techniques combined with a knowledge of the fundamentals of sound production