School of Music

http://music.wvu.edu/

The School of Music has been an important part of WVU’s cultural and academic life since 1897. The University has been an institutional member of the National Association of Schools of Music since 1947. Our active faculty of fifty-two members includes internationally acclaimed artists and scholars who are distinguished teachers as well. The School is part of the College of Creative Arts, the center for visual and performing arts at WVU and in the state of West Virginia.

Degrees Offered

  • Bachelor of Arts in Music with three majors: Music (Contemporary and Integrative Performance), Music, and Music Industry
  • Bachelor of Music with eight majors: Music Composition; Music Education; Performance - Instrumental; Performance - Piano with Areas of Emphasis in Traditional, Coaching/Accompanying, Jazz, and Pedagogy;  Performance - Voice; Performance - Woodwinds; Performance - Jazz Studies; and Music Therapy

Mission

The School of Music, as part of WVU’s College of Creative Arts, offers professional preparation for careers in composition, performance, music education, music therapy, and music industry as well as the opportunity to study music within a liberal arts curriculum. Its nationally accredited programs, strengthened by creative activity and research, provide an educational environment for the exploration and understanding of music. The music faculty fosters this mission through performances, presentations, recruitment, and service. The School is supported by the resources of a comprehensive land-grant university, supplemented by grants and private donations.

Music Scholarship Resources

Information regarding University, College of Creative Arts, and School of Music scholarships can be found at http://ccarts.wvu.edu/academics/scholarships.

Performing Ensembles

One of the hallmarks of the School of Music is its commitment to the study and performance of high-quality and historically significant music from many styles and genres. WVU music faculty continue to present highly-praised performances, both on- and off-campus. Faculty performing groups include the Laureate Wind Quintet, the Faculty Jazz Ensemble, and the WVU Chamber Players.

WVU student performing ensembles include a wide range of opportunities in a variety of musical traditions, styles, and sizes. The student and community performing groups are open to all qualified WVU students by audition. All groups must be taken for credit unless noted below. More information about the School of Music ensembles can be found at: https://www.music.wvu.edu/ensembles

Admission into Program

Acceptance into an undergraduate music degree program is contingent upon both admission to WVU as an undergraduate student and a successful performance audition. Auditions are held from late fall through the early spring semester. For maximum scholarship consideration, students are encouraged to complete the application (including audition) before March 1. Dates of and details about auditions are available from the School of Music and on the website (http://music.wvu.edu/). Special accommodations may be made by contacting the School of Music at (304) 293-4532 or Music@mail.wvu.edu.  

The audition is a preliminary assessment of a student’s potential for success in the program. Students must audition at a performance level three or above to be admitted to most courses of study in music. For the Bachelor of Arts in Music Industry, students who select the Applied Music track must audition at a level two. An audition is not required for students who select the Multi-Instrumental track of the Bachelor of Arts in Music Industry; admission to this track is based upon the requirements for University admission. For the Bachelor of Arts in Integrative and Contemporary Performance students must audition at a level four. Students must audition at a performance level six or above to be admitted to the B.M. degree programs in performance. If a student is admitted, his or her standing is confirmed or revised after the first semester of study. Students should own their own instrument under normal circumstances (except for piano) and a portable (folding) music stand. Music majors can change from one music curriculum to another with faculty approval, particularly during the freshman or sophomore year, without significant loss of course credit. Students are encouraged to explore and follow the curriculum for which they are best qualified and in which they can achieve the greatest success. Evaluation of students’ work by the School of Music faculty aids these decisions. If students wish a broader, liberal arts-oriented, non-professional program, they may pursue a Bachelor of Arts (B.A.) degree.

General Requirements for the Bachelor of Music and Bachelor of Arts

With careful planning, it is possible to complete most music curricula in eight regular semesters. Students may elect to take additional courses, lengthening the time spent in the degree program.

Proficiency Levels

Before graduation, students must earn a proficiency level (specified for each curriculum) in their principal performance area and in piano (if required in their specific curriculum). In addition to fulfilling the proficiency level requirement in piano indicated in the curriculum, students are required to demonstrate proficiency in keyboard harmony and sight-reading by passing a special examination. Music education majors must satisfy additional instrument and voice proficiency exams.

Students are required to take applied lessons on their principal performance medium each semester until completing the requirements of their specific program. Proficiency levels in their principal performance medium are awarded at juries, which are usually given at the end of each semester. Jury policies for each principal performance area are provided on the School of Music website and are also available from the Director’s office or the area coordinator.

Jury Policy

All music majors, music minors, and non-majors enrolled in Music 121-127, 221-227, 321-327, 328, 421-427, Music 500, or Music 700 in the fall and/or spring semesters must take a jury.

Exceptions will be allowed only in the following cases:

  1. When an area jury policy has a provision for a waiver.
  2. In the event of illness or injury. Students who miss juries due to illness or injury will receive an incomplete in Applied Study for the semester and must make up the jury prior to mid-term during the subsequent semester.

Students who are unable to make up a missed jury must submit a written petition to the Director of the School of Music by mid-term of the first semester following the semester of the original missed jury. The petition must include a complete justification for missing the make-up jury and a written statement of support from the applied faculty member.

General Education FOUNDATIONS

Please use this link to view a list of courses that meet each GEF requirement.

NOTE: Some major requirements will fulfill specific GEF requirements. Please see the curriculum requirements listed below for details on which GEFs you will need to select.

General Education Foundations
F1 - Composition & Rhetoric3-6
Introduction to Composition and Rhetoric
and Composition, Rhetoric, and Research
Accelerated Academic Writing
F2A/F2B - Science & Technology4-6
F3 - Math & Quantitative Skills3-4
F4 - Society & Connections3
F5 - Human Inquiry & the Past3
F6 - The Arts & Creativity3
F7 - Global Studies & Diversity3
F8 - Focus (may be satisfied by completion of a minor, double major, or dual degree)9
Total Hours31-37

Please note that not all of the GEF courses are offered at all campuses. Students should consult with their advisor or academic department regarding the GEF course offerings available at their campus.

music major core courses

Courses listed below are required for most majors in the School of Music. However, the BA degree in Music Industry, the BA degree in Contemporary and Integrative Performance, and the BM in Music Therapy exclude some of these courses.

MUSC 161Aural Theory 12
MUSC 162Written Theory 12
MUSC 163Aural Theory 22
MUSC 164Written Theory 22
MUSC 177Introduction to Music Listening1
MUSC 189Music Convocation0
MUSC 261Aural Theory 32
MUSC 262Written Theory 32
MUSC 263Aural Theory 42
MUSC 264Written Theory 42
MUSC 270History of Western Musical Traditions 13
MUSC 271History of Western Musical Traditions 23
Total Hours23

Major Ensemble Requirement

Courses listed below may fulfill the major ensemble requirement; however, some majors and areas of emphasis may exclude or require specific ensembles as part of their requirements.

MUSC 300Band: Wind Symphony0-2
MUSC 300ABand: Symphonic0-2
MUSC 300BBand: Marching0-2
MUSC 302University Choral Union0-1
MUSC 303Orchestra0-2
MUSC 305University Choir0-2
MUSC 305AUniversity Choir: Concert0-2
MUSC 353Chamber Music: Large Jazz Ensemble 10-1
MUSC 353AChamber Music: Large Jazz Ensemble 20-1

If a student is a scholarship recipient, he or she may be called upon to render special service (as a participant in particular organizations or ensembles, as a piano accompanist, etc.) as designated by the School Director. Students whose major performance medium is percussion must, in addition to a major ensemble, register for Freshman Percussion Ensemble, Second Percussion Ensemble, or Percussion 2000 each semester in residence. Students whose major performance medium is guitar must take guitar ensemble as a major ensemble. Students whose major performance medium is piano (traditional) have flexibility fulfilling the major ensemble and chamber music requirements: 8 total credits are needed (2-4 major ensemble and 4-6 chamber music).

Chamber Music Requirement

Courses listed below may fulfill the chamber music requirement; however, some majors and areas of emphasis may exclude or require specific chamber music courses as part of their requirements.

MUSC 340Chamber Music: Brass0-1
MUSC 341Chamber Music: Guitar0-1
MUSC 342Chamber Music: Piano-4 Hand0-1
MUSC 343Chamber Music: Strings0-1
MUSC 344Chamber Music: Woodwind0-1
MUSC 345Chamber Music: Vocal0-1
MUSC 346Chamber Music: Mixed Ensemble0-1
MUSC 347Chamber Music: Mountaineer Singers0-1
MUSC 348Chamber Music: New Music0-1
MUSC 349Chamber Music: Other0-1
MUSC 351Chamber Music: Percussion 10-1
MUSC 352Chamber Music: Percussion 20-1
MUSC 353BChamber Music: Jazz Small Group0-1
MUSC 353CChamber Music: Jazz Small Group 20-1
MUSC 353EChamber Music: Jazz and Ethnic0-1
MUSC 353GChamber Music: Jazz Vocal Ensemble0-1
MUSC 353HChamber Music: Jazz Other0-1
MUSC 354Chamber Music: Gamelan0-1
MUSC 355Chamber Music: Steel Band 10-1
MUSC 356Chamber Music: African1
MUSC 357Chamber Music: Brazilian1
MUSC 358Chamber Music: Ethnic0-1
MUSC 359Chamber Music: Taiko1

First-Year Seminar, Music Convocation, and Recital Attendance Policies

Entering freshmen are required to register for First-Year Seminar MUSC 191. Full-time undergraduate music majors beyond first semester freshmen are expected to register for Music Convocation MUSC 189 and to attend five recitals or concerts and five convocation sessions per semester until completing the requirements of their specific curriculum. This requirement may be adjusted for transfer students. B.A. students are required to take MUSC 189 for two semesters.

Capstone Requirements

Senior-level capstone courses are required for all degree programs in the School of Music. Students should check with their academic advisor for major-specific capstone courses. 

Completion of Degree Requirements

Students are responsible for being aware of and correctly fulfilling all graduation requirements. Students should review the curriculum requirements both before and after every registration period so that errors or omissions will be detected and corrected immediately. Transfer students must establish transfer credit from other institutions as early as possible in their WVU study—preferably during the first semester of residence. The degree of Bachelor of Music or Bachelor of Arts is conferred if students comply with the general regulations of the University concerning degrees, satisfy School of Music requirements (including expected proficiency levels), and complete an appropriate curriculum with a minimum overall grade point average of 2.0 (C). Music Education majors must attain a 2.75 grade point average for graduation and certification.

Students who receive a grade of A in MUSC 163 may elect to take an honors section of MUSC 263 (offered in the fall) in place of MUSC 261 and MUSC 263. If students achieve a grade of A in MUSC 262, they may elect an upper-division theory analysis course (MUSC 463 or MUSC 464) in place of the MUSC 264 requirement. If they achieve a grade of A in MUSC 261, they may elect an upper-division theory elective in place of the MUSC 263 requirement.

Music Theory and History Electives

Unless specified as a degree requirement, upper-division theory electives are:

MUSC 265Instrumentation2
MUSC 266Orchestration and Band Arranging2
MUSC 311Introduction to Jazz Improvisation2
MUSC 313Advanced Jazz Improvisation2
MUSC 360Composition2
MUSC 362Instrumentation and Orchestration3
MUSC 461Counterpoint2
MUSC 462Counterpoint2
MUSC 463Analysis of Eighteenth and Nineteenth Century Music3
MUSC 464Analysis of Twentieth Century Art Music3
MUSC 465Electronic Music2
MUSC 466Electronic Music-Digital Audio2
MUSC 468Jazz Harmony2
MUSC 480Arranging for Small Jazz Ensemble2
MUSC 481Arranging for Large Jazz Ensemble2

Unless specified as a degree requirement, upper-division history electives are:

MUSC 470European Music before 15003
MUSC 471Music of the Sixteenth and Seventeenth Centuries3
MUSC 472Music of the Eighteenth Century3
MUSC 473Music of the Nineteenth Century3
MUSC 474Twentieth and Twenty-First Century Music3
MUSC 475History of Jazz3
MUSC 477Music of Africa3

Academic Progress

If in the judgment of the faculty, Director, and Dean it will be impossible for students to complete graduation requirements in a reasonable amount of time, their enrollment in the School of Music will be terminated. If students are admitted conditionally, they must make up deficiencies as soon as possible. Further information regarding academic progress policies can be obtained from their advisor, the school director's office, or http://music.wvu.edu/current_students/academic_progress_policy.

Course Substitutions, Curricular Waivers, or Credit by Examination

Requests for course substitutions, curricular waivers, or credit by examination must be made in writing to the Director of the School of Music. If the Director endorses the request, it will be forwarded to the Dean of the College of Creative Arts for final approval.

For further information, refer to the undergraduate student resources page on the School of Music website http://music.wvu.edu/current_students or at the office of the School Director.

Minors:

Appalachian music minor

MINOR CODE - U148

A GPA of 2.0 is required in all MUSC courses.
Students must complete at least nine (9) hours of coursework at the 300-level or above.
MUSC 110Fundamentals of Music3
MUSC 118Music in Appalachia3
Applied Lessons2-4
Applied Lessons for Minors
Appalachian Music Ensemble2-4
Appalachian Music Ensemble
Music (MUSC) Electives1-5
Total Hours15

General Musicianship Minor

Minor Code - U037

The minor is designed for the student who wants the broadest possible musical experience. Courses in applied music, music history, and music theory are equally balanced in this program. This option is intended for students who desire a traditional music minor that includes a balance of applied study, ensembles, history and literature, and theory.

A successful audition with the School of Music is required for entrance into the program.

A minimum GPA of 2.5 is required in all minor courses
Applied Music4
Applied Lessons for Minors (Audition Required)
Music Ensembles
Select from the following:4
Band: Varsity
Band: Wind Symphony
Band: Symphonic
Band: Marching
University Choral Union
Orchestra
Introduction To Opera Theatre
University Choir
University Choir: Concert
Chamber Music: Brass
Chamber Music: Guitar
Chamber Music: Piano-4 Hand
Chamber Music: Strings
Chamber Music: Woodwind
Chamber Music: Vocal
Chamber Music: Mixed Ensemble
Chamber Music: Mountaineer Singers
Chamber Music: New Music
Chamber Music: Other
Chamber Music: Brass Choir
Chamber Music: Other
Chamber Music: Other-Vocal Accompaniment
Chamber Music: Other
Chamber Music: Percussion 1
Chamber Music: Percussion 2
Chamber Music: Large Jazz Ensemble 1
Chamber Music: Large Jazz Ensemble 2
Chamber Music: Jazz Small Group
Chamber Music: Jazz Small Group 2
Chamber Music: Jazz and Ethnic
Chamber Music: Jazz Vocal Ensemble
Chamber Music: Jazz Other
Chamber Music: Jazz Vocal Ensemble
Chamber Music: Gamelan
Chamber Music: Steel Band 1
Chamber Music: African
Chamber Music: Brazilian
Chamber Music: Ethnic
Chamber Music: Taiko
Music Theory *4
Aural Theory 1
Written Theory 1
Music History **3-4
History of Western Musical Traditions 1
History of Western Musical Traditions 2
Music Electives4-6
Total Hours19-22

Back to Top

Jazz Studies Minor

Minor Code - U107

The Minor in Jazz Studies is intended for students with a background in jazz or improvised music. All aspects of jazz are studied, from the early music to the most recent developments in creative improvised music. A variety of performance opportunities are available for students. The many small jazz ensembles perform styles ranging from Bebop, Fusion, Salsa, and vocal jazz, to the avant-garde. The large ensembles perform original student compositions, and the music of contemporary composers, in addition to traditional big band literature.

A successful audition with the School of Music is required for entrance into the program.

Applied Music4
Applied Lessons for Minors
Music Ensembles8
Hours from the following courses: (may be repeated for credit/audition or consent required for placement):
Chamber Music: Large Jazz Ensemble 1
Chamber Music: Large Jazz Ensemble 2
Chamber Music: Jazz Small Group
Chamber Music: Jazz and Ethnic
Chamber Music: Jazz Small Group 2
Jazz Theory and/or History4
Introduction to History of Jazz
Introduction to Jazz Improvisation
Advanced Jazz Improvisation
Arranging for Small Jazz Ensemble
Arranging for Large Jazz Ensemble
Music Electives2
Total Hours18

Back to Top

Music Industry Minor

Minor Code - U134

The Music Industry minor provides a strategic core course of study for students interested in pursuing music industry as a secondary field of study. Its curriculum is designed to equip students with the fundamental analytical and creative knowledge and skills necessary for commercial practice in the music industry. The curriculum consists of online courses, representing a cohesive academic core, covering all the fundamental, interrelated and interdependent segments of the music industry through methodical study of its foundations, commerce, management and operations.

Required Courses

Minimum grade of C or higher required in all courses
MUSC 411Intellectual Property in Music Industry3
MUSC 412Music Product Development and Placement3
MUSC 413Live Music Industry3
MUSC 414Recording Industry3
MUSC 415Music Publishing3
Total Hours15

Back to Top

Music Performance Minor

Minor Code - U133

This minor in Performance is intended for the student who has a particular interest in preparing for performing or teaching a particular instrument or voice. The minor focuses on making music with special emphasis on applied lessons and ensemble experiences. The increased interest of society today in the arts is creating many new opportunities for the professional musician and for the private music teacher. Performance areas include: band or orchestra instrument, guitar, flute, oboe, clarinet, saxophone, bassoon, horn, trumpet, trombone, euphonium, tuba, percussion, violin, viola, cello, double bass, piano, and voice.
 

A successful audition with the School of Music is required for entrance into the program.

Applied Music 8 hours from the following (audition or consent required for placement)8
Applied Lessons for Minors
Music Ensembles 4 hours from the following courses: (audition or consent required for placement)4
Band: Wind Symphony
Band: Symphonic
University Choral Union
Orchestra
Introduction To Opera Theatre
University Choir
University Choir: Concert
Chamber Music: Brass
Chamber Music: Piano-4 Hand
Chamber Music: Woodwind
Chamber Music: Vocal
Chamber Music: Mixed Ensemble
Chamber Music: Mountaineer Singers
Chamber Music: New Music
Chamber Music: Other
Chamber Music: Brass Choir
Chamber Music: Other
Chamber Music: Other-Vocal Accompaniment
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Chamber Music: Other
Collegium Musicum
Chamber Music: Percussion 1
Chamber Music: Percussion 2
Chamber Music: Large Jazz Ensemble 1
Chamber Music: Large Jazz Ensemble 2
Chamber Music: Jazz Small Group
Chamber Music: Jazz Small Group 2
Chamber Music: Jazz and Ethnic
Chamber Music: Jazz Vocal Ensemble
Chamber Music: Jazz Other
Chamber Music: Jazz Vocal Ensemble
Chamber Music: Gamelan
Chamber Music: Steel Band 1
Chamber Music: African
Chamber Music: Brazilian
Chamber Music: Ethnic
Chamber Music: Taiko
Music Theory and/or Music History/Literature 4 hours from the following courses:4
Fundamentals of Music
Introduction to Music
Great Composers in Performance
Twentieth Century American Pop Music
Music in the Modern Age
Introduction to History of Jazz
Music in World Cultures
Introduction to Music Listening
Aural Theory 1
Written Theory 1
Aural Theory 2
Written Theory 2
History of Western Musical Traditions 1
Introduction to Jazz Improvisation
Advanced Jazz Improvisation
Music of Africa
Music Electives2
Total Hours18

Back to Top

Music Technology Minor

Minor Code - U109

The Minor in Music Technology is intended for students with a background or interest in recording, creating, or producing audio for music or visual media. There are two tracks available to suit composers, producers/recording engineers, or both. This minor gives students the opportunity to study and apply the theories and techniques required for successful audio production using a digital audio workstation as well as composition, sound design, audio in multimedia applications, and programming using various software and hardware tools.

Select 1 of either Track 1 or Track 2 (listed below)8-9
Track 1: Electronic Music Composition-Required Courses
Introduction to Recording Technology
Electronic Music Composition
Electronic Music
Electronic Music-Digital Audio
Track 2: Production/Recording Engineering-Required Courses
Introduction to Recording Technology
Introduction to Digital Audio Workstation
Practicum-Recording Technology
Recording Technology Electives (both Track 1 and II) - Select from the following courses:6
Introduction to Digital Audio Workstation
Digital Audio Workstation Alternative
Sound-Games/Visual Media
Advanced Digital Audio Workstation Technology
Practicum-Recording Technology
Electronic Music Composition
Electronic Music
Electronic Music-Digital Audio
Music Electives (both Track 1 and II) - Select from the following courses:3
Fundamentals of Music
Introduction to Music
Great Composers in Performance
Twentieth Century American Pop Music
Music in the Modern Age
Introduction to History of Jazz
Introduction to Music Listening
Independent Study
Physics of Music
Total Hours17-18

Back to Top

World Music Minor

Minor Code -  U108

The minor in World Music is intended for students with a musical interest outside of Western art music. The required courses focus on the relationship between music and culture and support WVU's vision of diversity and the advancement of international activity and global engagement. Students may participate in the School of Music's World Music ensembles, including steel drums, African music and dance, Balinese and Javanese gamelans, Japanese taiko drums, and more. Optional study abroad programs include a summer music program in Ghana and an exchange program with universities in Brazil.

A minimum GPA of 2.0 is required in all minor courses.

Required Courses6
Music in World Cultures
Music of Africa
Music Ensembles and/or Chamber-6 Hours (May be repeated for additional credit)
Chamber Music: Gamelan
Chamber Music: Steel Band 1
Chamber Music: African
Chamber Music: Brazilian
Chamber Music: Ethnic
Chamber Music: Taiko
Music Electives - 6 hours from the following courses:6
Fundamentals of Music
Great Composers in Performance
Introduction to Music
Twentieth Century American Pop Music
Music in the Modern Age
Introduction to History of Jazz
Aural Theory 1
Written Theory 1
Written Theory 2
Introduction to Music Listening
Introduction to Recording Technology
Introduction to Jazz Improvisation
Applied Lessons for Minors
Global Service Learning
Total Hours18

Back to Top


Faculty

Interim Director

  • Michael Ibrahim - D.M.A. (Manhattan School of Music)
    Saxophone

Director of Graduate Studies

  • Cynthia Anderson - M.M. (Manhattan School of Music)
    Oboe, Theory

Professors

  • Peter Amstutz - D.M.A. (Peabody Conservatory)
    Coordinator of Keyboard, Piano
  • Andrew Kohn - Ph.D. (University of Pittsburgh)
    Double Bass, Theory
  • Mikylah McTeer - D.M.A. (University of Houston)
    Coordinator of Strings, Violin, Chamber Music
  • David Taddie - Ph.D. (Harvard)
    Music Theory, Electronic Music
  • John F. Weigand - D.M.A. (Florida State University)
    Coordinator of Woodwinds, Clarinet, Chamber Music
  • Cecil B. Wilson - Ph.D. (Case Western Reserve University)
    Associate Provost, Musicology, Nineteenth century music, Orchestration
  • John Winkler - D.M.A. (Northwestern University)
    Coordinator of Brass, Trumpet, Chamber music

Associate Professors

  • Mitchell Arnold - D.M.A. (Northwestern University)
    Director of Orchestral Activities, Conducting
  • Nina Assimakopoulos - M.M. (Munich Academy of Music)
    Flute, Chamber Music
  • Lynn Hileman - D.M.A. (Eastman School of Music)
    Bassoon, Theory
  • Hope Koehler - D.M.A. (University of Kentucky)
    Coordinator of Voice Studies, Voice
  • Lucy Mauro - D.M.A. (Peabody Conservatory)
    Piano Pedagogy, Class Piano, Piano, Chamber Music
  • Dena Register - Ph.D (Florida State University)
    Music Therapy
  • Sandra Schwartz - Ph.D. (University of Miami)
    Coordinator of Music Education; Choral Music Education
  • Travis D. Stimeling - Ph.D. (University of North Carolina - Chapel Hill)
    Coordinator of Musicology
  • Michael Vercelli - D.M.A. (University of Arizona)
    Director of World Music Performance Center
  • George Willis - M.M. (Temple University)
    Coordinator of Percussion Studies

Assistant Professors

  • Robert Chafin - M.M. (University of Cincinnati-Conservatory of Music)
    Voice
  • Erin Ellis - D.M.A. (Eastman School of Music)
    Cello, Chamber Music, String Pedagogy
  • Jason Gossett - Ph.D. (The Pennsylvania State University)
    Music Education
  • Matthew Heap - Ph.D. (University of Pittsburgh)
    Coordinator of Theory and Composition, Theory, Composition
  • Andrea Houde - M.M. (Peabody Institute)
    Viola, String Pedagogy, Chamber Music
  • Ching-Wen Hsiao - D.M.A. (Juilliard School)
    Piano
  • Laura Very Knoop - M.M. (Yale University)
    Voice - Visiting
  • Stephen Lytle - D.M.A. (University of Cincinnati College - Conservatory of Music)
    Associate Director of Bands
  • Evan MacCarthy - Ph.D. (Harvard University)
    Musicology
  • James Kenon Mitchell - M.M. (Westminster Choir College)
    Opera, Vocal Coaching
  • Angela Munroe - Ph.D. (University of Colorado Boulder)
    General Music Education
  • Kym Scott - D.M.A (University of Southern California)
    Director of Choral Activities
  • Jared Sims - D.M.A. (Boston University)
    Director of Jazz Studies
  • Jonas Thoms - M.M. (University of Cincinnati-College Conservatory of Music)
    Horn, Chamber Music
  • Scott C. Tobias - D.M.A. (The University of Georgia)
    Director of Bands
  • Darko Velichkovski - M.A. (City University of New York)
    Director of Music Industry

Faculty Equivalent Academic Professional

  • Mark Benincosa - M.S. (West Virginia University)
    Recording Technology
  • Sun Jung Lee - D.M.A. (West Virginia University)
    Accompanying, Piano, Chamber Music

Lecturers

  • Clifford Barnes
    Jazz Piano
  • William Koehler - D.M.A. (University of Minnesota)
    Voice
  • Rebecca Kreider - M.M. (Indiana University)
    General Education Courses
  • Diana B. Love - Ed.D. (Virginia Polytechnic Institute and State University)
    Music Education
  • Christine Mazza - M.M. (Cleveland Institute of Music)
    Harp
  • Carson McTeer - B.A. (Rice University)
    Tuba, Euphonium, Chamber Music
  • Adam Osmianski - M.M. (West Virginia University)
    General Education Courses
  • Brian Plitnik - D.M.A. (West Virginia University)
    Trombone, Euphonium, Chamber Music
  • Kathleen Shannon - D.M.A. (University of Miami)
    General Education Courses
  • Brian Wolfe - B.M. (West Virginia University)
    Drum Set, Percussion, Jazz
  • Renee Wyatt - M.M. (West Virginia University)
    Music Education

Professors Emeriti

  • John Beall
  • James W. Benner
  • Thomas S. Brown
  • Philip J. Faini
  • Mary Ferer
  • William Haller
  • Barton Hudson
  • Leo Horacek, Jr.
  • Christine B. Kefferstan
  • Gerald Lefkoff
  • James E. Miltenberger
  • Janet Robbins
  • William Skidmore
  • Connie Arau Sturm
  • Robert Thieme
  • Virginia Thompson
  • Gilbert Trythall
  • Molly Weaver
  • Don G. Wilcox
  • Christopher Wilkinson

Associate Professors Emeriti

  • David Bess
  • Joyce A. Catalfano
  • Rose M. Crain
  • John E. Crotty
  • June D. Swartwout